Live Recordings

mIn our contemporary art history class tonight there was a really great exchange, not surprisingly the question of “what is art” came up, as it always does. (what other disciplines spend so much time trying to define themselves?) This discourse was largely around the supposed dichotomy between social practice, and studio practice as models. I came home and started thinking about what is common between art forms that are not questioned as art now. And it occurred to me that one element is presentation in one way or another that frames them exclusively, either a white box scenario, or a ticket bought to experience them in a venue specifically dedicated to their “performance”. I am not suggesting that these parameters exhaustively encompass everything "generally accepted to be art", just that work presented in these ways tends to be more easily(or set up to be) engaged with as “art”. What these contexts have in common the more I thought about it, was less about what they include, and more about what they exclude, they exclude distraction.

What if we/I/one were to go to an event, say a protest, festival or some other public event, (or for that matter just a busy place like a shopping mall, or sports event) and offer people either blindfolds or sound blocking headphones to experience the event. by excluding sound, or vision could we intensify the senses left in tact? Would this be a way to replicate the expected context of art, so that a “common” experience could be similar to the experience of art? Could this be a viable strategy to highlight the art in everyday experience?

It seems to me this would be like offering a live sound or visual performance.

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